This Floating Excrement Was Far Too Symbolic! These Are the Television Letdowns of the Year.

As we consider the TV landscape of the past year, a selection of series emerge not for their brilliance, but for their spectacular shortcomings. From awkward spin-offs to confusingly bad docuseries, here are the productions that had us scratching our heads or just reaching for the remote.

And Just Like That

Where to begin with this love/hate follow-up? Burdened with dreadful scripts, painful arcs (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series struggled to justify its existence. Briefly, as the third season started, it seemed as if it had finally found its groove. Then arrived an episode centered on Seema’s natural deodorant. No wonder the creator announced this would be the final series. It concluded on a bum note; the lingering shot of Miranda’s loo full of poo was simply too on-the-nose. Yet, fans undeniably had a hoot picking apart every single “what on earth?” episode. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the smallest of this show's issues. The subject of a very rare zero star assessment, it was hard to know where to start listing the problems. The hilariously leaden dialogue? The tedious glorification of wealth and materialism? The seemingly deliberate parade of tropes? Acting so poor they felt almost malicious? Suffice it to say “each and every one” and never speak of this series again. However, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, domestic violence allegations and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have known it from this multi-part docuseries which smirked its way at Sheen’s various episodes of self-destructive excess while struggling to tell us a single thing we didn’t already know. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be reserved for the people who have had to suffer close contact with this charismatic but dismissive narcissist.

The Supercomputer Drama

Of course we knew it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure love for its leads 
 but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe 
 in painfully slow-motion. That's what you call admitting defeat.

The Gangster Drama

Shady figures convening in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge baffling accents. But there were plenty of other issues. Mainly that it was just profoundly boring; a dispute over drug-selling territory between various London picaresques which seemed rather simplistic.

With Love, Meghan

Given the degree to which she grinds the gears of certain performatively enraged commentators, it’s temptingly tempting to admire the Duchess of Sussex’s various forays into quaint lifestyle as deliberate provocations. But then you view them and are forced to concede that actually, they might have a point. It’s like watching a homeware magazine animated; a meme for wine o’clock with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental sayings and forgettable crafting “hacks” you’ll forget instantly. All supported by immense, mostly undeserved wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be said about regarding Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for whatever reason, this three-part series opted not to explore them. Instead, the experience was like consuming a sales brochure. She obviously has every right to bridle at what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this guarded letdown of a series.

The Inheritance

It had the potential to be the next big hit – except even camper, with a glamorous star playing dead and a sharp-tongued personality managing her inheritance. What more could you ask for? As contestants competed, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too complicated to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was trying way too hard to emulate something far greater than it.

Too Much

How does one follow a show that defined a generation? The pressure was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of celebrity cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd recruitment of talented emerging comics, expectations were high. But sadly, most of it fell flat. A particular sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The writing room sketches, meanwhile, simply provoked the idea that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled sensitively. Rather, the series struggled painfully to find the right tone, lumbering from oddly breezy, slightly mannered farce to ultimately, real-life horror. Complex? Arguably. A total mess? Very much so.

The Maths Genius Thriller

We love the star 
 but did we believe him playing the greatest maths genius since, a man so smart he’s on the verge of a discovery that could destabilise society? No! This international thriller about government agencies spying on – and eliminating – intellectuals honestly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator renowned for sexual exploits as she undertook her biggest feat yet. What on earth would possess her? What we wanted was way more examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to drag her son out of the queue. What we got was disturbing shots and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Debra Johnston
Debra Johnston

Automotive journalist with over a decade of experience covering tech innovations and trends in the car industry.

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