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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond at Leeds during 1977

The talented musician, a key member of the innovative 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the duo achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of electronic music.

He subsequently founded the pioneering techno group The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball died calmly in his sleep at his home in London on Wednesday 22 October, just weeks after performing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

At that performance, Ball performed in a mobility chair, as he had for the previous couple of years, after a period of ill-health.

"I ended up injure myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my spine and cracked about five ribs and fractured my wrist."

Following contracting pneumonia and suffering from sepsis, he was put in an medically-induced sleep and stayed in hospital for half a year.

However, he had been in "high spirits mentally" during the warmer months, as he was developing a fresh record with Almond, titled the upcoming Danceteria, which is scheduled for publication in the coming year.

"He was concentrated and so happy with the new album that we actually finished only a short time ago," said the singer in a tribute.
"It's so sad as next year was completely planned to be such an positive year for him, and I find comfort from the knowledge that he listened to the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the early 1980s

Tributes

Almond referred to his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant part of my life and for the songs you gave me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is distinct from joining a group, the bond is very tight," he added.
"That was the case with us. We experienced so many extraordinary, incredible, memorable experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Born into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He was raised in Blackpool with his new family his caregivers, who altered his first name from his birth name to his adopted name, together with his sibling his sister, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both learning art. Fuelled by a mutual passion of a music genre, they formed Soft Cell the very year, and promptly produced an extended play.

Creative Collaboration

The duo were an distinctive combination: Ball was the reserved technician, bent over his keyboard, while Almond was a flamboyant performer, all sparkle and eye-liner; but they achieved a rare musical alchemy.

Ball had developed a interest with electronic instruments after watching Kraftwerk appear on a television program Tomorrow's World, and started to marry moody electronic sounds to the catchy tunes Almond was writing.

Their signature song became the UK's second most popular song of 1981, shifting millions of copies worldwide. Alongside successful tracks by other artists, Human League and electronic acts, it contributed to paved the path for the synth-pop sound of the 1980s.

The track was also included on their first album, their initial LP, which produced two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The pair were working on new material right up until Ball's passing

Career Highlights

Success had its benefits. "I enjoyed being able to afford my initial property, having money and travelling, which might seem like a beauty queen," Ball recently told with a publication.

But it also presented problems. "Newfound wealth allowed we could afford substances to alleviate the monotony" of press appearances and TV performances, Ball said.

"I know that's a common saying, but it's a truism for a good reason, because it applies for so many bands."

During the hedonistic lifestyle, the pair were also drifting apart, but they managed to create a second memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They released another album, their 1984 release This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond proceeded to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the Top 40 album Cruelty Without Beauty.

After another break, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on September 30, that year.

Yet, they stayed active, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the duo's upcoming release as a homage to the NYC nightlife they visited while recording their initial records.

He noted that his time in medical care had influenced the group's music.

"I experienced strange recollections when I was in and out of hospital because I was on morphine," he told a publication.
"Our latest tracks are a electronic representation of the sounds in my head from that time.
"Simultaneously, it's about the times me and Marc had in the 1980s."

The final mixes were completed only a short time before Ball passed away. It is scheduled for release in Spring 2026.

Written by

Debra Johnston

Automotive journalist with over a decade of experience covering tech innovations and trends in the car industry.

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